Nayda's art journal, artist inspirations, studies, work process, trials and errors.
Thursday, May 8, 2014
Tuesday, March 25, 2014
Art Aesthetics of a Selfie
What I am is
what I am. No ambiguity.
below: Selfie painted by Nayda A. Cuevas
Can this be what
the selfie trend presents?
The selfie is a
quick self portrait created with a smart phone camera and immediately
distributed into social media. It becomes an instant communication of what I am
doing where I am, who I think I am and who is watching.
As an artist the
selfie trend contains aspect I am interested in. Artists have used themselves as subjects to
be displayed and create self portraits for many reasons; Like…
- we are all always there on time and can sit for long periods of time
- we also like to show off our skills in painting
- we need to reveal something inner to the outside world in the most vivid way we know how
portrait below: Alice Neel
below: Chuck Close self portrait
Once the painted
portrait is complete we make it public. Similarly to the selfie, a painted
portraits primary purpose is to be seen now, by other people, and most of them
strangers. Selfies are seen in social
networks and so is art, but art is also viewed in art galleries and
Museums. The difference in theses space/environments
is its prestige. There is a perceived notion of power and beauty that exudes
from portraiture because they are understood to serve a special purpose and
will become public
Can I as an
artist, take your approved selfie uploaded onto social network seen by all and
give it additional light and prestige by painting your portrait and bringing it
into an art context?
I paint people
because I am drawn to features, body language, and forms of expression. A
selfie is carefully articulated vision of who we choose to be on any given day
and moment. It is the ultimate representation of the way we want the world to
see us now.
The definition
and purpose of art is constantly transforming. Merging old traditions in art
and modern trend keeps art contemporary.
What can your
selfie aspire to be?
Notes taken from: New York Magazine, Feb 3, 2014 and Newsweek.com 10/17/2013
Saturday, March 15, 2014
Just read Richard Brilliant, Portraiture. Reading
these different views shed a light into the human psyche and in popular
culture. As I move forward with my portraits I have many things to consider.
Most importantly “subject”. Being clear that a selfies is not considered a work of art and that it is a current
popular trend, I would like to address its insignificance and impermanence by
painting them. I will address the initial judgment of the
portrait by painting them as realistically as I can and thus creating a
recognizable portrait painting. The
issue of how the sitter is portrayed as been initially addressed because the
subject has selected how they wish to represent themselves. What is left for me
is time to remove myself from this fast paced world of images and create a
lasting permanent image in history. I in
turn make the selfie a work of art to
be admired and remove it from the vast hole of images in the web. I become free
in my self indulgent and necessary act to paint and remove myself from the
world to create a portrait with the intention to signal an individual’s
presence in life. I believe we all want
to be noticed, because a part of us wants to be approved by our peers, family
and or society, otherwise the selfie
would not be a trend. I do think we, as a person or artist, need a viewer to
exist.
Wednesday, March 5, 2014
Friday, February 28, 2014
As a child, making arts and crafts was a
way to pass the time and make something.
When my family moved to Florida I found myself in a new environment and immediately
learned that I was different. I was alien to the majority of the people around
me. Within a year I was blessed with my art teacher, Mrs. Houdeshell. She introduced me to all art mediums and I
quickly learned that creating art produced attention. I gained acceptance,
admiration, and praise for my creative class assignments and artwork. In my preteen head I concluded that with
paint, brushes, clay, images, and bright colors I could inform and tell others
of the place I was from. As a
consequence I would no longer feel alienation. I thought, “people just don’t
know where I am from! I will paint it, sculpted it, and I will dance it”. At the same time I replenished the empty
space inside, longing for family members, festive holidays and parties,
swimming in the warm ocean, speaking and being understood. My new language, loved by all, became the tactility
of the paint and the possibilities of color that produced an image of both
physical and emotion experiences. Sense,
art has become a way to continue to revisit moments, experiences, and
celebrations of the world I am situated in.
I need to remove myself from the world to
situate myself in it. It is like praying
in church, going to a Holy place, a quiet space to release and recharge the
soul. My experience as a human being
from a small festive warm island and my need to share its warmth comes out
through the brush.
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