One artist who addresses his Latino
identity is San Antonio based artist, Vincent Valdez. His portraits address
stereotypes of brown males, specifically of young minorities. Valdez is a
third-generation American born of distant Mexican and Spanish descent and in
some ways does not identify as “Chicano” or “Hispanic” (Dazal, interview). Yet,
in his series The Strangest Fruit, he
depicts the distorted bodies of men of color, distinguished by their clothing,
hairstyles, skin color, and more. Similar to my series #WhatLatinosLookLike, Valdez uses visual markers that tend to lead
to misconceptions and stereotypes of young minority males in American society.
In the painting, Untitled, from the
Strangest Fruit, the body appears to dangle or float on the
canvas. I could interpret the body as having been lynched, which is what the
series addresses: the unknown and unrecognized history of lynching of Mexicans
and Mexican Americans in the United States. As Valdez states: “Presenting this
historical subject in a contemporary context enables me to present the noose as
a metaphor and to suggest that the threat of the noose still looms over the
heads of the young Latino male in American society” (Dazal, interview). Unlike
the subjects in my series #WhatLatinoLookLike,
who proudly identify as Latino, Valdez does not identify as Chicano or Latino,
yet his Mexican heritage informs his artistic expression.
Vincent Valdez Untitled, from The Strangest Fruit, Oil on canvas, 55" x 92”, 2013 |
http://stateoftheart.crystalbridges.org/blog/project/vincent-valdez/
http://www.vincentvaldezart.com/
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